Pennies

I cried the first time I read Pennies— never before had I read such an understanding perspective on the effects of trauma. Unlike others who tackle this topic, Meghana aims to show a multitude of angles, not only the directly-affected but the  care about them. By decentralizing the abuser, she takes violence out of the equation and emphasizes love as the solution. Through love, these characters move forward. Through love, these characters learn to become a united front against the past and heal together. I aim to balance the nuances of their pain without negating how deeply they care for one another.

—Nikki Greenhalgh, Director

Pennies aims to bring these characters together in their love instead of pitting them against each other. I want to demystify Lucy’s trauma by showing clear skills she has built for herself and how Andrew and Matthew can help in productive ways. Never is her past a burden but rather apart of her to be cared for. I felt it was important to show how hard it was for Andrew and Matthew to work through their own biases and fears for Lucy’s sake. This is about all of their common ground. I wrote Pennies on how we move forward, to devote our love to how our loved ones need it.

—Meghana John, Writer

From the moment I read the first draft of Pennies, I knew this was a film that had to be made. It is funny, awkward, and heartfelt—but, perhaps most importantly, it exudes empathy, a virtue that appears to be dwindling by the day. From the setting to the characters to the team that is bringing this film to life, Pennies imbues understanding and togetherness. By journeying with Lucy, Matthew, and Andrew, we learn that there is no barrier too large to overcome. I urge you to laugh, cry, and love with these characters, as it may be the first step to overcoming barriers in your own life.

—Eliana Oliver, Producer